Born: 1840
Died: 1917
Gender: Male
Nationality: French
"One must have a consummate sense of technique, to hide what one
knows." Auguste Rodin.
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Rodin was a Parisian born to a working
class family. Despite their lack of resources, the children were raised
and educated well. Early on, Rodin showed a talent for drawing and
mathematics in the Rue de l'Ecole de Médecine. Excelling there he was
encouraged to apply to the Ecole des Beaux Arts but was rejected three
times. He supported himself working as an ornamental mason. Then aged 23
his sister died and, overwhelmed with grief, entered the monastery of
the Eudistes in the Faubourg St. Jacques. After six months he returned
home and soon after met Rose Beuret who was to remain his partner for
life.
In 1864 Rodin studied under Barye, the
animal sculptor and worked in the studio of Carrier-Belleuse where he
remained for six years. One of his first works was the now famous 'Man
with the Broken Nose' (1864). Rodin was in the National Guard during | the
siege of Paris but was judged unfit for service and headed to Belgium
with Carrier-Belleuse in 1871. After a dispute, however, Rodin left the
French artist and joined the Belgian sculptor Van Rasburg. In 1875 Rodin
studied the works of Donatello and Michelangelo in Italy and they were
to be influential on much of his work. He was soon to achieve success
and a great deal of controversy with 'Man Awakening to Nature' and the
'Age of Brass' (1876) shortly followed by 'St. John the Baptist
Preaching' (1878). By 1880 after a tour around the cathedrals of France,
Rodin embarked on his epic 'Gate of Hell' for the future Museum of
Decorative Arts. As well as 'The Thinker' who commanded the scene,
almost 200 other figures were incorporated into the work. Despite
struggling over this work for more than 20 years it was never completed.
Rodin created many sculptures over the course of his career and
frequently courted much controversy, with a commissioned work portraying
Balzac for example being rejected by the Société des Gens de Lettres
in 1891 due to its depiction of genius in essence as opposed to a
straight portrait of the man himself.
Rodin devoted his entire life to his
work. His influence on modern art has been immense, he reinvigorated
sculpture at a time when it was becoming stagnant and unimaginative. His
art regularly proved sensational but he was a very considered and
dignified man rarely getting personally entangled in the often very
public disputes his work provoked. |