Born: 1960
Died: 1988
Gender: Male
Nationality: American
"The only thing the [Eighties'] market liked better than a hot
young artist was a dead hot young artist, and it got one in Jean-Michel
Basquiat. "Robert Hughes.
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Born to upper middle-class parents in
Brooklyn, Jean-Michel Basquiat achieved almost instantaneous success
with his Graffiti Art in 1980s New York.
With no formal training, Basquiat
appropriated signs and symbols from a wide variety of cultural sources,
from the art of African bushmen to quotations from Leonardo or Gray's
Anatomy. He then positioned these in an urban context by using the
bright colours and scribblings generally associated with the spray can
vandalism commonplace in New York City at the time, particularly on the
subway system.
Recognisable through his brash and bold
imagery, Basquiat quickly established a reputation as an artist who
could not be ignored. Along with Keith Haring who also suffered an
abrupt end to his career, the two artists set the increasingly decadent
New | York art scene ablaze. With paintings such as 'Hollywood Africans'
(1983) and 'Worthy Consultants' (1986), Basquiat seemed to be
challenging the art world bourgeoisie through his use of African
American iconography communicated through the rough-and-ready style,
inspired by his predecessors Cy Twombly and Jean Duboffet, that was
rarely seen inside prestigious art galleries. Embracing the riches that
he reaped through the sale of his work, however, it seemed as though
Basquiat wanted to be both inside and outside of the art world at the
same time.
During his brief career, tragically cut
short by a drugs overdose, Basquiat had been described in some quarters
as an 'urban noble savage', yet this clearly belied his privileged
background. Edward Lucie-Smith described his work as possessing
"immense energy and a vast range of cultural reference," while
other critics were wholly dismissive of the entire Graffiti Art
movement. |