Born: 1872
Died: 1944
Gender: Male
Nationality: Dutch
"I think that the destructive element is too much neglected in
art." Piet Mondrian.
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Mondrian was born in Amersfoort and grew
up with his older sister and three younger brothers in a Calvinist
family. In 1892 Mondrian moved to Amsterdam to study art at the
Rijksacademie. Five years later he was submitting still-lifes and
landscapes to membership-only shows at Arti et Amicitiae and at Sint
Lucas, two artists' groups in Amsterdam. During this time he made a
living by painting portraits and copying museum art, alongside
occasional commissioned work. In 1898 his landscape painting began to
develop as he moved away from the Hague School-type and started focusing
on structure and rhythm. In the way he concentrated on composition this
early work can be seen to prefigure his abstract work. For example,
'Village Church' (c.1898). Between 1907 and 1910, influenced by
Symbolism he produced work such as 'Devotion' (1908) and
'Passion-flower' (1908) portraying women with sad expressions and
flowers next to their heads. He alternated between figurative and
landscape work, experimenting with many different styles.
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In 1911 he moved to Paris where he
encountered Cubism for the first time, a movement that was to lead him
to produce a series of paintings revolving around trees, for example
'Flowering Apple Tree' (1912). In 1914 Mondrian returned to Holland and
continued his study of abstraction. Three years later he founded De
Stijl with Theo van Doesburg, a movement searching for laws of balance
in both art and life. The abstract style they developed became known as
Neo-Plasticism. The technique restricted the use of shapes purely to
rectangles and with a limited colour palette of black, white and grey,
plus the primaries. In 1919 Mondrian moved to Paris where he remained
for 19 years. In 1931 he joined a group of abstract painters and
sculptors known as Abstraction-Création. The group arranged exhibitions
and published an annual of their works which generally centred on
geometrical abstraction. By 1938 with the outbreak of the Second World
War, Mondrian fled to London then two years later to New York. It was
here that he developed a more energetic style inspired by his passion
for jazz and dancing, as can be seen in the colourful 'Broadway Boogie-Woogie'
(1942-1943).
Piet Mondrian was expert in conveying
emotion with the bare minimum of detail. His minimal style of
abstraction can be seen in relation to his study of Theosophy in his
quest for the 'Absolute'. His influence can be seen not only on other
artists but also on the media of industrial design and advertisements
from the 1930s onwards. |