Born: 1840
Died: 1916
Gender: Male
Nationality: French
"...The artist... will always be a special, isolated, solitary
agent, with an innate sense of organising matter." Odilon Redon.
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Odilon Redon was born in Bordeaux and
studied drawing early on under an artist named Stanislas Gorin. It was
Gorin who introduced Redon to the principles of Romantic art, that is to
make every line an expression of both sensibility and reason and reject
all rules and formulae. Upon finishing school, Redon failed to be
accepted for the architectural class of the Ecole des Beaux Arts in
Paris and therefore remained in Bordeaux where he took up sculpture.
Around 1861 Redon was introduced to the
writings of Flaubert, Baudelaire and Edgar Allen Poe, three authors who
would be greatly influential on Redon's drawings. In 1864, however, he
was accepted to the Ecole des Beaux Arts to study painting. The art
establishment represented values he couldn't tolerate and he backed away
from the system consigning himself to obscurity. Redon found guidance
instead from Rudolphe | Bresdin who had also rejected the official art
world. He introduced Redon to Rembrandt and Dürer and taught him how
nature can be utterly transformed by the broadness of one's imagination.
So Redon turned to graphic art, working mainly in black and white,
giving expression to the mysterious and the fantastic. Works in charcoal
such as 'Mephistopheles' (c.1877) and 'Head of a Martyr on a Platter'
(1877) contain references to Romantic literature, caricature and
children's books, but they are strikingly original and, serving no
satirical purpose, are quite disturbing. After recovering from a
religious crisis and major illness in the 1890s Redon's outlook became
much more optimistic. The sombre tones were replaced by bright colours
and scenes of idealistic beauty often taking mythological themes as his
inspiration.
Although remaining a very private person
throughout his lifetime, his work was much admired by many including
Henri Matisse. Later on the Surrealists regarded Redon as one of their
greatest predecessors. |