Born:
1830
Died: 1896
Gender: Male
Nationality: English
"If Leighton looked back to classical prototypes, he did so
through the eyes of a Victorian aesthete, whose primary concern was to
please the eye and elevate the imagination of his audience, not to
belabour them with the perfection of Greek form." Richard Ormond.
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Frederic Leighton was born in Scarborough
in the north of England, and travelled widely from an early age. By the
age of 15 he had decided to become an artist and studied in Frankfurt
and Florence. He exhibited his first painting, 'Cimabue finding Giotto
in the Fields of Florence' in 1850. By 1853 he was already developing a
distinctive style with his portrait 'Isabel Laing'. A year later he
painted 'Cimabue's Madonna' (1853-1855) and it divided audiences into
those who viewed it as the zenith of Pre-Raphaelite painting and those
who hated the painting, as well as this burgeoning movement.
Leighton exhibited at the Royal Academy
as an associate member in 1865 with 'Mother and Child (Cherries)'. As in
much of his work there is a certain degree of sentimentality in this
painting but he took care not to let this overwhelm the piece. He was
enthralled by classical themes and this can be seen most impressively in
'Hercules wrestling with Death for the Body of Alcestis' (1871) for
example. By 1878 Leighton became President | of the Royal Academy and was
made a baronet in 1886. In 1893 he produced one of his most striking
paintings in 'Flaming June' only to die a year later.
Leighton took on the directness of a
classical style of art, relishing the grandiose themes and heavy
symbolism associated with this. Yet he managed to convey the intimate at
the same time, expressing a deep sense of humanity. Leighton's
draughtsmanship was sublime, his compositions were always immaculate and
his colouring very rich. He achieved great success in his lifetime,
perhaps only matched by his contemporary John Everett Millais. |