Born: 1910
Died: 1954
Gender: Female
Nationality: Mexican
"In the whole history of art, Frida is the only example of a
painter virtually tearing her breast and heart open in order to express
the feelings in them and tell the biological truth." Diego Rivera.
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Frida Kahlo was born in Coyoacán, a
suburb of Mexico City, the daughter of the German photographer Guillermo
Kahlo (who had emigrated to Mexico) and a Mexican mother. In 1923 she
began studying medicine and joined the 'Liga de la Juventud Communista'.
A year later she met Diego Rivera for the first time, the man whom she
would eventually marry in 1929 and remain with, on and off, for the
duration of her life. At the age of 18 she was involved in a terrible
car accident that left her with a crushed pelvis, fractured spine and
broken foot. This accident led to a lifetime battle for her health with
endless infections and operations. It was this event that prompted her
to paint and the pain she felt was to become an ongoing theme of her
art.
Kahlo was mainly self-taught as a
painter. She was greatly influenced by Rivera as well as by Mexican folk
art. She specialised almost exclusively in self-portraits ranging from
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simple likenesses to portraying herself in dramatic settings. Every
picture contained a strong autobiographical element, whether it was
simply the artist dressed in traditional Mexican dress or still-lives of
fruit which she found in the surroundings of her beloved abode. Her
preoccupation with death (a favourite theme amongst the Mexican people)
was evident in many of her most famous works, particularly the
disturbing 'Two Fridas' (1934). Kahlo said that many of her
contemporaries "thought I was a Surrealist, but I wasn't. I never
painted dreams. I painted my own reality." Her paintings were
widely shown in Mexico and in 1939 she had successful exhibitions in New
York and Paris, but during her lifetime her husband's career
overshadowed her own. After her death, however, she became a feminist
icon for her struggle against illness and her left-wing political
activities.
Kahlo's paintings of physical and mental
pain are both narcissistic and nightmarish yet at the same time fierce
and flamboyant. Working in a primitive style, her paintings are full of
odd colour combinations, static figures, and incredible space and scale.
Her paintings not only reflect her inner feelings but also position them
in the perspective of Mexican culture. She seemed deeply attuned to the
consciousness of Mexican people and as a result found great success
within her own country. Beyond her native land, however, her work was
frequently overlooked, especially after her death, not resurfacing until
many years later. |