Born: 1887
Died: 1968
Gender: Male
Nationality: French
"... perhaps the most important art-theorist and avant-garde
provocateur of the 20th century. He directed attention away from the
work of art as a material object, and instead presented it as something
which was essentially an idea: he shifted the emphasis from making to
thinking. "Edward Lucie-Smith.
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Marcel Duchamp was born at Blainville in
Normandy, one of six children. In1904 he followed his brothers to Paris
and studied for one year at the Academie Julian. He was influenced by
the Post-Impressionists and the Fauvists but his early works already
showed that he was less interested in technique but more so in ideas. By
1909 Duchamp had work exhibited at the Salon des Independents and the
Salon d'Automne. His first major success was 'Nude Descending a
Staircase No.1' (1911). It was shown at the Armory Show in 1913 and was
the subject of considerable controversy. The painting and its version
'No. 2' showed his interest in photography particularly in the way he
conveyed a sense of movement. However, he abandoned painting
concentrating instead on his 'ready-mades'.
Having relocated to New York and being a
key figure in the Dada scene there, he | produced probably his most famous
work, the ready-made 'Fountain' (1917). It consisted of a urinal signed
R. Mutt and established his reputation as a ground-breaking artist
challenging the accepted notion of what comprised a work of art. After a
year in Buenos Aires playing chess he returned to Paris to create his
Mona Lisa parody replete with moustache, beard and rude inscription. In
1920 he was back in New York and began work on what many regard as his
conceptual masterpiece, 'The Bride Stripped Bare By Her Bachelors,
Even'(1920-1933). A nine foot high structure incorporating an upper and
lower glass panel set in an aluminium framework, the work became one of
the most discussed pieces of its day and still causes a great deal of
discussion. Duchamp divided his time between his art and his chess. He
was regarded as one of the finest players in France and took part in
four Olympic tournaments.
Duchamp was an iconoclastic figure on the
one hand deriding the pretensions of art and on the other exploring its
possibilities. He is seen as the godfather of modern art, predicting
movements such as Conceptualism, Minimalism and even Pop Art. He was one
of the key exponents of the avant-garde and was instrumental in raising
the profile of the Surrealists in France and the United States. He was
exploring radical ideas in art up until the end of his career with his
final work, 'Given:1. The Waterfall, 2. The Illuminating Gas' proving as
challenging and provocative as anything else he had produced in his
career. |