Born:
1914
Died: 1988
Gender: Male
Nationality: American
Romare Bearden was born in Charlotte,
North Carolina but was brought up in New York at the time of the Harlem
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Renaissance. Great jazz figures such as Duke Ellington and Fats Waller
were regular visitors to the Bearden household. He studied mathematics
at New York University from 1932 to 1935 then joined the Art Students'
League in 1936 where he studied under George Grosz for a year. He
enlisted in the US Army and fought in the Second World War. Then for
four years from 1950 he lived and studied abroad.
Upon returning to the United States in
1964 his interest and depiction of the black experience became more
focused, particularly in reaction to the Civil Rights Movement and his
new found interest in black Caribbean culture. He produced abstract
collages which he called 'projections' using newspaper and photographic
images laid flat on masonite boards with various media such as inks,
temperas and paper scraps surrounding them. The method is similar to
that of Stuart Davis whose work was often seen as a pictorial equivalent
of jazz music. Bearden's work is colourful and often | immensely powerful.
He was capable of producing works both full of life such as 'Wrapping it
up at The Lafayette', and also works infused with a great sense of
tenderness in 'The Piano Lesson' for example.
As well as painting, Bearden lectured in
Afro-American Art and wrote a number of articles and co-authored two
books on the subject, namely The Painter's Mind (1969) with Carl
Holby and Six Black Masters of American Art (1972) with Harry
Henderson. |