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Franz Kline was born in Wilkes-Barre,
Pennsylvania and went to study at the Boston Art Students' League from
1931 to 1935 and at the Heatherly School of Fine Arts in London from
1936 to 1938. Returning to the United States, Kline settled in New York
in 1939. There he met Willem de Kooning who introduced him to many of
the key practitioners of the American avant-garde including Pollock,
Guston and Tomlin.
Having begun with figurative work, the
influence of the artists in New York caused Kline to turn to painting in
a radically abstract style by the end of the Forties. Working with de
Kooning, he took details from his own original sketches, blew them up
then applied dramatic brushstrokes across the images. Works such as 'Wotan'
(1950) and 'Le Gros' (1961) show his unique approach to abstraction
particularly well. To achieve these effects he used large industrial
size paint brushes. In 1950 Kline had his first |