Born: 1932
Died:
Gender: Male
Nationality: Columbian
"Latin America is one of the few places left in the world which can
be transformed into myths." Fernando Botero.
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Fernando Botero was born in Medellin,
Colombia. By the age of 16 he was contributing illustrations to the
local newspaper, El Colombiano. In 1951 he moved to Bogota where he had
his first international show at the Leo Matiz Gallery. A year later he
left for Madrid to study fresco technique and art history in Florence.
Returning to Colombia, he exhibited at the Biblioteca Nacional in Bogota
and began teaching at the School of Fine Arts at the National
University. Botero's early work was influenced by various styles such as
Abstract Expressionism, but it was the Italian Renaissance which
provided his primary inspiration.
Botero moved to the United States in
1960, settling in New York where he remained for ten years. During this
period he began to experiment with creating volume in his paintings by
expanding the figures and compressing the space around them. Whether
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painting imaginary group portraits or parodies on the work of the Old
Masters, this technique has endured throughout his career. For his
subject matter he takes characters that must have populated the towns of
his childhood: parents with their children, priests, nuns, bishops and
soldiers. Each is depicted on a larger than life scale frequently with a
mythical air surrounding them.
His reputation is indisputable, being
widely exhibited in Europe and North and South America and having
received numerous awards including the First Intercol at the Museum of
Modern Art in Bogota. At first glance, Botero's paintings seem to be
humorous in nature, however, more often than not, his portraits appear
to offer bitter social comment with frequent political overtones. As
well as his paintings, he has made several public monuments in bronze,
notably 'Broadgate Venus' (1990) erected in Exchange Square in London. |