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Born: 1471
Died: 1528
Gender: Male
Nationality: German
"What shall I say of the firmness and accuracy of his hand? You
could have sworn that what he drew without other means than the brush,
pencil, or pen, to the immense astonishment of his beholders, had been
drawn with rule and compass. What shall I say of the sympathy which
reigned between his hand and his ideas so that often on the spur of the
moment he dashed off, or, as painters say, composed sketches of every
kind of thing with pencil or pen?" Camerarius, 1528 as quoted by
Christopher White in Durer (Phaidon).
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Albrecht Durer was born in Nuremberg. At
the age of 15 he was apprenticed to Michael Wolgemut, the book
illustrator and painter. He then travelled to Italy where he produced
his first notable painting in 1500, a self-portrait. As well as
producing woodcuts and engraving she was concerned with tackling many of
the key Renaissance questions such as perspective and proportion. In
1505 he moved to Venice where he remained for two years experimenting
with technique and produced 'The Feast of the Rose-Garlands'. He
specialised in line engravings, which involved cutting into the surface
of metal, frequently copper, with a burin, resulting in images very rich
in texture. Works such as 'St. Jerome in his Study' (1514) and 'Agony in
the Garden'(1515) were produced in this way.
He worked in many different media
including dry point and printmaking. He was an expert in matters of
proportion even writing four books on the subject. Yet despite his
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scholarly approach to his work and also his uncertain stance on religion
he was a deeply instinctive artist and is regarded as one of the first
great draughtsmen of Germany. |
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