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Richard Diebenkorn was born in Portland,
Oregon but his family moved to San Francisco when he was two. He spent a
good deal of his life in the Bay Area before moving to Santa Monica in
1963. He studied and taught at a number of schools including the
California School of Fine Arts in San Francisco from 1947 to 1950.
Fellow teachers included Mark Rothko and Clyfford Still, and it was
their influence that led him to abandon still-lifes and interiors and
take up Abstract Expressionism.
With a strong emphasis on landscapes,
Diebenkorn employed directional brushstrokes and expansive forms, using
bright colours such as pinks, yellows and blues similar to the style of
Willem de Kooning. By 1957 however, his work became more figurative, as
he began a series of roughly rendered paintings, frequently depicting
women observing landscapes from interiors. 'Woman in Profile' (1958) is
a good example of this. As Diebenkorn moved between abstraction and
figuration, elements from the likes of |