Born: 1863
Died: 1944
Gender: Male
Nationality: Norwegian
"People's souls are like planets. Like a star that rises from
the darkness - and meets another star - only to disappear again into
darkness - it is the same when a man and woman meet - drift apart -
light up in love - burn up - and disappear each in their own
direction..." Edvard Munch.
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"I have always worked best with
my paintings around me. I placed them together and felt that some of the
pictures related to each other through the subject matter. When they
were placed together a sound went through them right away and they
became quite different from when they were separate they became a
symphony." Edvard Munch.
Edvard Munch was born in Loten, Hedmark
in Norway. Munch's childhood was traumatic, his father was almost
fanatically religious and his mother and eldest sister died prematurely.
The difficulties of his early years were to affect his character
throughout his life. In 1881 after a failed period training to become an
engineer, he enrolled at the Royal School of Art and Design where hepainted
his first self-portrait and managed to sell two paintings. By
1884 he was already part of the bohemian world | of Christiana (now Oslo).
In 1885 he went to Paris for the first time where he was heavily
influenced by the Impressionists and Symbolists particularly Gauguin
with his simplified forms and non-naturalistic colours. Munch exhibited
many of his paintings during this period. In 1892 he exhibited at the
Kunstlerverein (Artists' Union) in Berlin, where his work proved so
controversial that the show had to be closed. Now famous, Munch moved to
Berlin the same year where he lived on and off until 1908.
In the 1890s Munch embarked on his
'Frieze of Life' which he described as "a poem of life, love and
death". Informed by his dark neuroses, with themes such as
jealousy, sickness and sexual desire, his paintings make up an intense
depiction of extreme psychological states. The most famous of his
paintings is 'The Scream' (1895), a disturbing depiction of anxiety and
melancholy. Munch went on to translate many of his paintings into
etching, lithography and woodcut. In 1908, after prolonged heavy
drinking, overwork and a failed love affair, the artist suffered a
complete mental breakdown and he entered a clinic for the next eight
months. After this his work changed dramatically. The intense emotions
disappeared and his paintings became far more extroverted, characterised
by brighter colours and a renewed vigour. He painted a series of large
oil paintings for the University Hall of Oslo (1910-1915) conveying an
optimistic perspective on nature, science and history. Thereafter,
however, he took up the life of a recluse, and his work once again
became fuelled by his profound sensibilities. The last of his
self-portraits, 'Between the Clock and the Bed' (1940-1942) portrayed
his ailing body teetering on the brink of eternity.
Edvard Munch is one of the most
distinctive painters of his generation. The emotion instilled in his
work is deeply affecting and frequently quite disturbing. Plagued with
inner demons that tormented him through much of his career, Munch
effectively used his paintings to give voice to his neuroses. His
influence was strong in Scandinavia and Germany particularly, with van
Gogh and himself being seen as the two best exponents of Expressionist
art. |