Born: 1885
Died: 1941
Gender: Male
Nationality: French
"As an artist, as a manual craftsman, I wage my revolution on
walls. I have now discovered new materials that can transform a wall,
not only externally but in its very substance. Separate man from art?
Never. I cannot separate man from art because I build houses for him!
Even when fashion dictated easel art, I was already envisaging great
murals." Robert Delaunay.
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Robert Delaunay was born in Paris to an
upper class family. He started painting when he was young and served an
apprenticeship with a theatrical designer from 1902 to 1904. Otherwise
he had no formal training. He was first exhibited in 1904 at the Salon
des Independents (he was the youngest exhibitor ever) and his work was
clearly influenced by the Impressionists. He began to experiment soon
after, however, taking pointillist ideas and stretching them to
incorporate colour and movement.
By 1908 he was playing an active role in
the development of Cubism. His painting 'The Eiffel Tower' (1910) was
received with great acclaim, and two years later his 'City of Paris'
caused a sensation at the Salon des Independents. Delaunay's abstract
works proved revolutionary in the development of French art. Apollinaire
christened his style Orphism in the way the art had similarities with
the abstract in music. By 1914 | Delaunay was experimenting with wax. With
the outbreak of the First World War he moved first to Portugal then to
Spain where he worked briefly with Diaghilev. Relocating to Paris in the
Twenties he collaborated with Leger in the Art Deco Exhibition and
worked in set design on a number of films. His reputation declined
somewhat in the latter part of his career but he continued to experiment
with materials such as sand, mosaics and lacquered stone to be used in
his acclaimed 'Reliefs' series. He had always had grand ambitions for
his art and these were fulfilled with his commissions for the
International Exposition in 1937. The following year with the help of his
wife Sonia and others he decorated the Tuileries Salon where he created
three enormous 'Rhythms'.
Robert Delaunay was hugely influential on
the Expressionist movement, indeed, he had initially been invited to
participate in the first Blaue Reiter exhibition in 1913. Yet his work
was also an inspiration for the Futurists in Italy and the American
Synchronizes, and he had many social contacts within the Dadaist
movement. |