Born: 1928
Died: 1962
Gender: Male
Nationality: French
"...First there is nothing, then a deep nothing, and then there
is a blue depth." Bachelard in L'Air et des Songes.
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Yves Klein was born to bohemian parents
in Nice. His first love was not art but judo; he travelled to Japan to
study at the Kodokan Institute. He also developed a fascination with the
doctrines of Rosicrucianism, with Heindel's Cosmology of the
Rosicrucians becoming one of his favourite books. In 1951, however, he
started making monochrome prints at first for himself and to hang in his
judo hall, but later, in 1955, he offered a monochrome orange work to
the Salon des Réalités Nouvelles only to have it refused. At the same
time he developed a friendship with such artists as Tinguely, Raysse and
César, the main exponents of the movement known as Nouveau Réalisme.
It was two years later when he first
gained some recognition as he developed his own unique shade of
ultramarine. He called the colour International Klein Blue (IKB) and
this became his trademark. His first exhibition took place at the
Apollinaire Gallery in | Milan. It was a success and raised a lot of
interest in his work. While in Düsseldorf, Klein met members of the
Zero Group and created two sponge reliefs in his signature IKB for the
foyer of the Gelsenkirchen opera house. In a lecture at the Sorbonne in
1958 Klein's explanation for his monochrome paintings clearly took in
much of the Rosicrucian's philosophy in the way the paintings showed no
evidence of the human hand preferring to let the works affect the viewer
almost subconsciously. He continued working with the Rosicrucian
philosophy in 1960, this time focusing on the theme of classical alchemy
when he sold a zone of emptiness for gold dust, for which he gave a
receipt, and then threw the dust into the Seine and burnt the receipt.
The same year he also executed his famous 'leap into the void', a
photograph showing Klein seemingly flying out of the second floor of a
building. Continuing his one-man challenge on the orthodox art world he
also held an event in which he conducted an orchestra to play ten
minutes of one single note followed by ten minutes of silence while at
the same time three naked women writhed on the floor in blue paint. This
happening was his first example of 'Anthropométries' and it was
entitled 'Le Vide'.
Klein was extraordinarily prolific in a
diverse range of media. In Klein's work one can draw comparisons to that
of Marcel Duchamp but whereas Duchamp wished to challenge the notion of
what actually constitutes a work of art, Klein's intention was one of
pure sensationalism. Every project Klein executed was stamped with his
personality. Similar to artists such as Joseph Beuys, Klein's art was a
form of self-promotion. He was enormously influential, most notably on
the Minimalist movement. |