Faith Ringgold was born in New York and
studied at City College under Robert Gwathmey and Yasuo Kuniyoshi. Her
work in the Sixties was strongly political with paintings such as 'Die'
(1967) depicting a huge riot. She used bold stencil-type images to
express her concerns about the treatment of blacks.
Ringgold was also keen to pursue feminist
issues and most notably painted a mural depicting many successful women
for the Rikes Island Women's Prison in the early 1970s. After 1973,
however, she gave up painting and began to work with fabric. This was
preferable in terms of portability and was also more in line with her
desire to return to the artistic techniques used traditionally by women
particularly in Africa. This led to her 'story-quilts' which she started
producing towards the end of the Seventies in collaboration with her
mother.
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