Born: 1869
Died: 1954
Gender: Male
Nationality: French
"What I dream of is an art of balance, of purity and serenity
devoid of troubling or disturbing subject-matter... like a comforting
influence, a mental balm - something like a good armchair in which one
rests from physical fatigue." Henri Matisse.
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Matisse began by studying law in Paris
but by 1891 had taken up art instead, becoming a student at the Académie
Julian in Paris under Bouguereau. He left a year later, however,
displeased with Bougereau's teaching, and unofficially joined the Ecole
des Beaux-Arts studying with Rouault, Piot, Guerin and Bussy amongst
others. By 1896 Matisse had four of his paintings accepted for
exhibition at the Salon du Champ-de-Mars, he sold two of them. A year
later he saw the work of Camille Pissarro and van Gogh and was deeply
impressed.
In 1900 Matisse had fallen on hard times
and had to paint exhibition decorations at the Grand Palais to make a
living. He continued with his painting, however, and, after having
experimented with still-lifes and landscapes in the late-Nineties turned
to Neo-Impressionism and produced one of his first major works in 1905.
'Luxe, calme et | volupte' (1904-1905) was exhibited at the Salon des Indépendants
and bought by Signac. In the same year Matisse and his friends caused a
sensation at the Salon d'Automne giving rise to the name, 'Fauves'. He
also found himself important patrons in the American Steins thus solving
his financial difficulties.
His paintings were brightly coloured and
contain a deep sensuality, for example, 'Pink Nude' (1935) and one of
his most uplifting paintings, 'Large Red Interior'. He worked constantly
throughout his life, creating possibly his masterpiece between 1949 and
1951 in the Chapel of the Rosary at Vence. It was a dedication to the
woman who nursed him back to health after a serious illness and later
became a nun. Matisse designed every aspect of the convent in immaculate
detail. Other digressions from his painting include sculpting, for
example, 'The Back I-IV' (1909-1929) and an original technique involving
the arrangement of brightly-coloured cut-out shapes into abstract
patterns. He also designed sets and costumes for Diaghilev and was a
supreme book illustrator. Whatever Matisse turned his hand to, his work
always shows a lightness and airy quality. He loved colour and vitality
and was loathe to represent tragedy. Alongside Picasso he was
internationally renowned from the 1920s onwards. |