Fernando Botero

Fernando Botero Angulo (19 April 1932 – 15 September 2023) was a Colombian painter and sculptor. His signature style, also known as "Boterismo", depicts people and figures in large, exaggerated volume, which can represent political criticism or humor, depending on the piece. He was considered the most recognized and quoted artist from Latin America in his lifetime, and his art can be found in highly visible places around the world, such as Park Avenue in New York City and the Champs-Élysées in Paris, at different times.From Wikipedia, CC BY-SA 4.0

The life and work of Fernando Botero

Fernando Botero was born in Medellin, Colombia. By the age of 16 he was contributing illustrations to the local newspaper, El Colombiano. In 1951 he moved to Bogota where he had his first international show at the Leo Matiz Gallery. A year later he left for Madrid to study fresco technique and art history in Florence. Returning to Colombia, he exhibited at the Biblioteca Nacional in Bogota and began teaching at the School of Fine Arts at the National University. Botero’s early work was influenced by various styles such as Abstract Expressionism, but it was the Italian Renaissance which provided his primary inspiration.

Botero moved to the United States in 1960, settling in New York where he remained for ten years. During this period he began to experiment with creating volume in his paintings by expanding the figures and compressing the space around them. Whether painting imaginary group portraits or parodies on the work of the Old Masters, this technique has endured throughout his career. For his subject matter he takes characters that must have populated the towns of his childhood: parents with their children, priests, nuns, bishops and soldiers. Each is depicted on a larger than life scale frequently with a mythical air surrounding them.

His reputation is indisputable, being widely exhibited in Europe and North and South America and having received numerous awards including the First Intercol at the Museum of Modern Art in Bogota. At first glance, Botero’s paintings seem to be humorous in nature, however, more often than not, his portraits appear to offer bitter social comment with frequent political overtones. As well as his paintings, he has made several public monuments in bronze, notably ‘Broadgate Venus’ (1990) erected in Exchange Square in London.